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[EN]
Natasha Barrett, “Racing Through, Racing Unseen” (1996)
stereo fixed medium
“Racing Through, Racing Unseen” contains, in condensed form, the impetus behind its 20-minute long parent work, “Racing Unseen”. / Racing through, / Racing amongst, / Into new spaces, / Away from old emotions, / Racing high, racing low, / to escape, to seek, / racing into eddy… racing forever… racing unseen.
This sonic postcard takes a snapshot from the south side of Blackfriar’s Bridge, a stone’s throw along the footpath to the Royal Festival Hall. This clip can be coupled as a epilogue to “St Paul’s Descending into the Autumn Mist”. It embodies an impressionistic and personal development of the sound-world, listening towards the distant image of St Paul’s Cathedral. It attempts to capture the bare essence behind the original sound-world: thoughts and emotions as they are washed up onto the score of the River Thames. [ii-98]
[FR]
Natasha Barrett, «Racing Through, Racing Unseen» (1996)
support stéréo
«Racing Through, Racing Unseen» présente, de façon condensée, l’impulsion derrière la pièce mère d’une durée de 20 minutes «Racing Unseen». / Courant au travers, / Courant parmi, / Dans de nouveaux espaces, / Loin d’anciennes émotions, / Courant haut, courant bas, / pour échapper, pour rechercher, / courant dans un tourbillon… courant pour toujours… courant inaperçu.
credits
from
Miniatures concrètes,
released February 1, 1998
Composition / Composition: 1996 / 1996
© 1996, Natasha Barrett (TONO) / Ymx média (SOCAN)
ISWC: T0017055901
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